Tint Touch Studio

Calibrating

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Colour Grading & Post Production / Kochi

Colour is the last rewrite.

We are a grading and finishing house for feature films, commercials and streaming. Two calibrated suites, one colourist per project, and a delivery record we'll happily show you before you book.

Selected Work
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01 — Studio

One screen, and the patience to look.

Two calibrated grading theatres in Kochi, and one colourist per project.

The DaVinci Resolve colour page: one shot open in the viewer with the graded and ungraded versions side by side, parade and CIE scopes below it, and a hue-versus-saturation curve open.
Suite A — Kochi DCI-P3 · Dolby Vision

Tint Touch Studio opened in 2015 with a borrowed panel and a rented reference monitor. We now run two calibrated grading theatres in Kochi — but the working method has not changed. One colourist stays with a project from conform to master. Nothing is handed down a chain.

We work in DaVinci Resolve Studio across Rec.709, DCI-P3 and Rec.2020, finish in Dolby Vision and HDR10, and deliver to cinema, broadcast and every major streaming platform. The technical side is settled. What we actually spend the day on is whether the frame feels the way the film means it.

Sessions are attended in the suite or streamed to you live, whichever the schedule allows. Either way you are looking at the same reference-accurate picture we are, so you sign off on frames rather than on a description of them.

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Titles Finished

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Years Grading

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Calibrated Suites

02 — Services

Everything after the last take.

Ten disciplines, one building. Nothing is subcontracted out.

01 Colour Grading Primary and secondary work, shot matching, look development.
02 Digital Intermediate Full DI pipeline from camera negative to graded master.
03 Online Editing Full-resolution assembly, titles, subtitles and versioning.
04 Conform EDL and AAF rebuilds, frame-accurate against the offline.
05 Film Finishing Clean-up, beauty work, grain management and final QC.
06 Commercial Post Fast-turnaround campaign finishing with same-day cutdowns.
07 OTT Deliverables Platform-spec IMF and ProRes packages, QC report included.
08 Cinema Deliverables Theatrical masters trimmed for the room they will play in.
09 HDR Workflow Dolby Vision and HDR10 trim passes, with a matched SDR version.
10 DCP Mastering SMPTE DCP authoring, encryption, KDMs and playback validation.

03 — Work

Drag the line. That's the whole job.

Left of the handle is the delivered grade. Right of it is the camera original.

Shot 00 — the camera original, ungraded Graded Log

Shot 00

Feature Film · 2.39:1 · Dolby Vision · 2026

Shot 01 — the camera original, ungraded Graded Log

Shot 01

Short · HDR10 · 2025

Shot 02 — the camera original, ungraded Graded Log

Shot 02

Commercial · 2025

Shot 03 — the camera original, ungraded Graded Log

Shot 03

Music Video · 2024

Shot 04 — the camera original, ungraded Graded Log

Shot 04

Shot 05 — the camera original, ungraded Graded Log

Shot 05

Shot 06 — the camera original, ungraded Graded Log

Shot 06

Shot 07 — the camera original, ungraded Graded Log

Shot 07

Shot 08 — the camera original, ungraded Graded Log

Shot 08

Shot 09 — the camera original, ungraded Graded Log

Shot 09

Shot 10 — the camera original, ungraded Graded Log

Shot 10

Shot 11 — the camera original, ungraded Graded Log

Shot 11

Shot 12 — the camera original, ungraded Graded Log

Shot 12

Shot 13 — the camera original, ungraded Graded Log

Shot 13

Shot 14 — the camera original, ungraded Graded Log

Shot 14

Shot 15 — the camera original, ungraded Graded Log

Shot 15

Recent work

  • Poster for Olichottam Olichottam Dir. Shaijo Adimaly · 2026
  • Poster for Petti Auto Petti Auto Dir. Shaijo Adimaly · 2026
  • Poster for Pinvili Pinvili Dir. Shaijo Adimaly · 2026
  • Poster for Oru Kadha Parayum Neram Oru Kadha Parayum Neram Dir. Rays Sidhik
  • Poster for Ratho Raman Ratho Raman Dir. Ganesan Nachimuthu
  • Poster for Garbhanumathi Vakuppu Garbhanumathi Vakuppu Dir. Bhagyalekshmi I
  • Poster for Avakashikal Avakashikal Dir. N Arun
Start a Project
Empty cinema auditorium lit by the screen

04 — Why Tint Touch

Four things directors say when they come back for the second film.

01

One colourist, start to finish

The person who set the look in the first session is the person who signs off the master. Nothing is re-explained to a night shift.

02

Calibrated, and provably so

Reference displays are probed monthly and the reports are on file. When you approve a frame here, it holds in the DCP.

03

Remote sessions in real colour

Reference-accurate streaming to your device, live on the panel. Direct the grade from Chennai, London or a hotel room.

04

Masters that pass QC first time

Over two hundred platform deliveries, no rejections. We run the same QC the platform runs, before it leaves the building.

05 — Workflow

Five stages on one timeline.

  1. 01  ·  Day 1

    Ingest & Conform

    Rebuilt frame-accurate against your offline.

  2. 02  ·  Day 2–3

    Look Development

    Two or three directions, built on real scenes.

  3. 03  ·  Day 4–9

    The Grade

    Attended in the suite, or streamed to you live.

  4. 04  ·  Day 10–11

    Finishing

    Clean-up, titles, grain. One full review pass.

  5. 05  ·  Day 12

    Master & Deliver

    HDR and SDR trims, QC'd before they leave.

06 — Clients

Studios, agencies and platforms we finish for.

07 — Voices

What people say when the lights come up.

“We arrived with three months of footage shot across two monsoons and nothing matched. It came out looking like one long afternoon.”

Anjali Prabhakar Director  ·  Monsoon Light

“I have sat in suites in London and Singapore. This is the first one where I stopped watching the scopes and just watched the film.”

Tobias Reinhart Cinematographer  ·  Salt

“Eleven deliverables, four platforms, one week. Every master passed QC first time. Nobody had to call me.”

Sneha Kurien Executive Producer  ·  Vertex

“Half the schedule moved and we lost four days. They re-planned the DI overnight and still made the festival cut-off.”

Rahul D'Souza Producer  ·  Night Bus

“They talked me out of the look I walked in with, and they were right. That takes a kind of confidence you cannot buy.”

Meera Raghavan Director  ·  Firstlight

“Three seasons, four hundred episodes of footage, one look. Nobody has ever asked me why episode nine looks different.”

Imran Qureshi Post Supervisor  ·  Orbit

08 — Contact

Send the film. We'll find the look.

Send the cut, the schedule and the delivery spec. You will get a colourist's read on it, not a quote from a form.

Write to us

tinttouchcolorgradingstudio@gmail.com
Book a Test Grade
Studio
Door No-106, IInd Floor, Kaniyampuzha Road
Eroor P.O, South Vytila, Kochi
Telephone
+91 85474 69833
Hours
Mon–Sat, 10:00–20:00 IST
Sessions run later by arrangement